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MEET CAROLINE ARNOLD
Leo Politi Golden Author Award 2008
by Ann Stalcup

As a child, who were your favorite children's book authors? How have they influenced your writing?

Caroline Arnold

I grew up in Minneapolis, Minnesota, and when I was in elementary school I had many favorite authors including Beverly Cleary, Laura Ingalls Wilder and Maude Hart Lovelace. The books I loved the most were usually set in other times or far off places. One of my favorite books was Family Sabbatical by Carol Ryie Brink. Like the children in that story I dreamed that one day I might travel to Paris, learn to speak French, and climb the Eiffel Tower. Today I often travel to do research for my books and that's one of the things I like best about being a writer.

What inspired you to write children's books?

I loved books as a child but never imagined that I would be a writer when I grew up. I studied art in school and planned to be an artist and an art teacher. After I got married and had my own children I read stories to them. I realized that perhaps I could use my training in art to be a children's book illustrator. I started to write stories so that I could illustrate them and soon discovered that I enjoyed writing very much. I ended up being mostly a writer, although recently I have started doing more illustration. I am now working on a series of animal books illustrated with cut-paper collage.

When did you develop your passion for animals?

I've always loved animals. I got my first kitten when I was three--I named her Snoozy after a character in one of my favorite books--and have always had pets. During the summers our family spent in northern Wisconsin when I was a child, I learned the thrill of spotting birds, deer, and porcupines and other wild animals in the forest. In 1971 I spent four months in East Africa with my husband and young daughter. We lived in a national park side by side with lions, giraffes, zebras and other animals whose home is the African plains. A few of the photos we took on that trip are in my book African Animals. Birds have always been a favorite topic in my books. When I was a child I went on early morning bird walks with my father, who was an amateur birdwatcher, and now my husband, Art, studies birds in his research at UCLA. My recent book, Birds: Nature's Magnificent Flying Machines, focuses on how each part of a bird's body helps to make it an expert flyer. For my book, Hawk Highway in the Sky: Watching Raptor Migration, I spent a week in the Goshute Mountains of eastern Nevada watching and helping scientists trap and band migrating hawks, eagles and falcons. Nothing is more exciting than getting close to these magnificent birds and my close involvement with the process helped me to learn the details that I needed to write my book.

How do you decide what animals to write about?

There are so many different kinds of animals that I could spend the rest of my life writing about them and never run out of ideas. When I choose an animal for a book I often pick endangered species such as pandas or cheetahs. The more we know about these animals, the more we will care about saving them from extinction. I usually spend up to a year doing background reading on the subject of a book. I also go to the zoo to make my own observations of animals and also to help the photographer decide what pictures to take. If I can, I also try to observe the subjects of my books in the wild. In my future work I hope to continue writing about animals and the places they live as well as other topics. And even though I have become well known mostly for my nonfiction writing, I also like to write fiction. Perhaps I will try more of that in the future as well.

Your books have taken a whole new direction in the last two years. Can you tell us about the series of animal books that you have illustrated yourself? What medium did you use and how did you select your subjects?

Three years ago Picture Window Books launched a new line of nonfiction books for primary age children using a large scale picture book format.  It seemed like the perfect opportunity for me to write about animals for younger children--something I had been wanting to do for some time--and to illustrate them myself.  I chose a cut paper art technique for the illustrations because the bold, poster like quality seemed appropriate for the young age.  I wanted the pictures to be easily seen when a teacher or librarian read the book to a group of children.  I chose black and white animals for the first series of books because of their inherent decorative qualities.  My subjects, pandas, zebras, penguins, and killer whales, also happen to be favorite animals in zoos and animal parks.

Have you illustrated any other books?

When I started writing for children thirty years ago, I intended to illustrate all my books.  At the time most children's nonfiction was illustrated in black and white or with limited color.  I did illustrate three books but soon abandoned art to focus my energies on writing.  This coincided with my long collaboration with Richard Hewett and other photographers.  I took up illustrating again in 2004 with two toddler books, Who Is Bigger? and Who Has More?, my first effort with cut paper art.

Do you plan to do more of your own illustrating?

I am currently working on four new animal books.  They are all about Australian animals--koalas, kangaroos, wombats, and platypuses.  The challenge is that these animals are mainly active at night, under ground, or under water!

Tell us about your latest books. I believe that although you didn't illustrate them yourself, they are something of a new venture for you. 

I actually have several new books.  They include Super Swimmers: Whales, Dolphins, and other Mammals of the Sea, which focuses on the unique adaptations of these animals for life in the water, Taj Mahal, a collaboration with Madeleine Comora, which grew out of a trip to India to do a school visit, and Wiggle and Waggle, a collection of five easy-read fiction stories about two worms. In the first story, Wiggle and Waggle sing a song to make their work go faster.  You can log onto YouTube and sing along with them.  Their voices are my editors at Charlesbridge.

What are you working on now?

I am working on a book about dinosaurs that lived in polar regions.  During the Dinosaur Age the Earth was so warm that the polar regions were not frozen as they are today. Fossils are a longtime interest of mine and are the subject of another new book, Giant Sea Reptiles of the Dinosaur Age.

What is the best advice that you can offer to aspiring young writers?
The best writers, whether they write fiction or nonfiction, are those who have developed a keen sense of observation. They notice details about the way things look, feel, sound and smell. They learn how to use words to paint a picture of a scene or action. You can develop your powers of observation by pretending you are a spy and making notes about what you see around you. Your “spy reports” might make the beginning of a good story. The other secret of becoming a good writer is practice. Writing letters or keeping a journal are two ways of practicing writing. Writing is something like baseball--you are not likely to hit a home run the first time you step up to the plate. Your first stories will not be perfect either, but with practice they will get better and better and soon you will be hitting the ball out of the park.

 

 

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